By Helena Goscilo,Yana Hashamova
This wide-ranging assortment investigates the father/son dynamic in post-Stalinist Soviet cinema and its Russian successor. individuals learn complicated styles of identity, disavowal, and displacement in movies by means of such various administrators as Khutsiev, Motyl’, Tarkovsky, Balabanov, Sokurov, Todorovskii, Mashkov, and Bekmambetov. a number of chapters specialise in the problems of pleasant the paternal functionality, whereas others express how vertical and horizontal male bonds are many times strained by means of the strain of redefining an embattled masculinity in a moving political landscape.
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Cinepaternity: Fathers and Sons in Soviet and Post-Soviet Film by Helena Goscilo,Yana Hashamova